Carnaval 2008
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2008 Carnaval SF  by images
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King & Queen Finals bachanacl -reader comments about the sfgate.com article
Friday at the de Young Museum
King & Queen Finals March 29th
Youth Royalty
Zona Verde
Brazil Focus: 50th Anniversary of Bosa Nova
Bikini History Part I
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Rio's 60's Contribution to global cuture
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30 years of Magic & Masquerade

"Each year since 1979, Carnaval SF has emerged like a beautiful butterfly from its carnaval cocoon, more stunning and diverse from the year before. Set free on Memorial Day weekend, this ephemeral show lasts two days and then is gone, leaving you with a Carnaval afterglow, a little more human and a little more understanding of the many beautiful cultures that share the planet....
There is a sweet irony about Carnaval SF that snubs the establishment, signifying that the soul of a people won’t be reduced to a cold material status symbol like a string of pearls, a limousine, or a diamond studded bracelet. “Carnaval People” don’t need status symbols to validate who they are and have no use for borders that artificially separate one culture from another. Carnaval SF brings everyone together as one people, one culture respecting who you are and appreciating your individuality. "
Carnaval: 30 Years of Magic & Masquerade
by Pete Gallegos, May 15, 2008
Peter was a key player together with Roberto Hernandez, Tony Salazar, Chalo Eduardo and Marcus Gordon in bringing Carnaval to its current level of unappreciated largest ethnic event of the West Coast in the early 90's. He currently works at Gold Key Realty at 21st & Valencia.
 

CARNAVAL: ROOTS

By Richard Reineccius for the New Mission News
on the occasion of the 1998 20th anniversary


Picture several hip people sitting around a kitchen table on 22nd Street in the Mission during the late ‘70's… cups of coffee and cigarettes in hand… noticing the days growing shorter…

"That first Carnaval had triple
 
rainbows surrounding it!"

---Adela Chu
Leader of the first Carnaval San Francisco contingent

discussing the history of rituals developed to in response to nature’s unfailing mysteries. Then imagine their growing sense of urgency.

"The more we talked, we came to realize that every year some group of people is chosen to call back the sun," mused mask-maker/costumer Pam Minor, as she recalled the scene that led to the first San Francisco Carnaval a few months later.

1981-83 Carnaval (35)

1996 Carnaval Photos (195)

1997 Carnaval (229)

 

1998 Carnaval (66)

1999 Carnaval (4)

"And because we had spontaneously begun to concern ourselves with it, that year it was our responsibility. If we didn't do it, the sun that year might not come back!"

They got a permit to play music outdoors and do a sidewalk parade in the Dolores Park area, reciting poems, dancing, and using homemade instruments and costumes to draw crowds at several "stations of the sun" that had been pre-selected. One storyteller was dressed as a guerrilla. The policemen assigned to the event thought it was so much fun, they allowed the little parade to go around twice. More people joined in to tag along, and the sun came back.

At that first celebration, Minor met dancer Adela Chu who was busy training more than a hundred students in the Bay Area to dance the Samba and was intent on somehow holding a traditional Carnaval parade in San Francisco. Chu had already staged some small outdoor Carnaval-type festivals, including one at Aquatic Park in 1978.

Both groups discovered the similarities between what they were doing and talked about the spirit behind the Carnaval celebrations in other cities, from Rio and New Orleans to Harlem. They collaborated and chose to hold a Carnaval parade on the sidewalk circling Precita Park, during the winter season in early 1979.

Carnaval 2001 (128)

Carnaval 2002 (252)

Carnaval 2003 (672)

Carnaval 2004 (843)

A permit was granted after a lot of footwork by Minor, and some neighborhood chats by Verena Mostyn and friends. Carol Deutsch-Wiley and Marcus Gordon, who were running the Precita Neighborhood Center, opened their doors to dancers and musicians. Gordon, a master Afro-Cuban drummer, put together one group of musicians himself, and others who heard about it came running to participate.

The group had decided that everybody in the parade, including all musicians, had to be costumed, so Minor designed a quick-sew outfit they could put together with no help, and the Neighborhood Arts Program's costume bank became ‘wardrobe central’ from that year on. Artist Nancy Hom designed the first of her many Carnaval posters, Sir Lawrence became a self-appointed marshal of the procession, and Lou Dematteis documented the event.

"That first Carnaval," Adela Chu was to comment later, "had triple rainbows surrounding it!" As they circled Precita Park three times, the crowd swelled to well over a thousand and traffic was stopped short.

From the feeling that such an event could work magic in the Mission every year, a planning committee quickly formed to make it bigger. But, while the Precita neighbors wanted it back, the Parks and Recreation Department said the small park couldn't handle a larger crowd. So in 1980, a longer parade down Mission Street led to a full day of music and dance in Dolores Park, drawing many thousands.

Carnaval 2005 (753)
2005 news at carnaval.com/sf05
 

Carnaval 2006 (599)
carnaval.com/sf06
 

in Memoriam (5)

Marcus Gordon remembers with a smile: "The permit people gave us only the north-bound lanes of Mission Street, not believing we'd really draw a crowd. But all the cars stopped to watch the parade, so the traffic was a mess." The SFPD had assigned only two cops to the event, so the low riders spontaneously took over traffic and crowd control - and handled it with perfection, according to both Gordon and Minor.

The increasingly popular celebration proved too much even for Dolores Park and the Park and Rec people determined once was enough. "We'd hoped for 5,000 people, and 15,000 showed up," said Gordon. The following year, the parade was moved to a June date and followed Mission Street to the Civic Center, where for the next three years, Carnaval San Francisco brought 50 to 75 thousand people to the City.

Burnout and permit conflicts left the City with no Carnaval in 1984, before the present sponsor, the Mission Economic Cultural Association (MECA), took it over. After one more year of centering the stages in front of City Hall, and two years on 24th Street, they were moved to the present site along Harrison Street from 16th to 22nd. Crowds have ranged from a quarter to half a million since 1987. Carnaval, ever bigger and more colorful, now dances its way through the heart of the Mission – up 24th and down Mission Street.

To Gordon, the one originator still working on Carnaval (and artistic director of MECA for several years), the future is even brighter. He proudly points to the fact that there are now scores of samba schools participating. "But we also bring in other cultures," he says, "and we want more. Anybody who can come up with things that are colorful and big, we want them in the parade."


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Enter the land of the Muses and The Three Graces:
 Beauty, Truth and Vitality
 

Special 1997 Gallery

Editor's Note: Since 2001 the Carnaval San Francisco Parade and Festival has been produced by Mission Neighborhood Centers Inc.[MNC] who had previously licensed MECA since 1985 to produce the parade on their behalf. Carnaval.com has been on-line since the 1996 Carnaval San Francisco season and has showcased our at one time unique multicultural Carnaval to millions in our increasingly smaller world as a way to put words into action for those who see San Francisco as the capital of a necessary global mind shift.
Official site for Carnaval San Francisco is www.carnavalsf.com which has content from Carnaval San Francisco 2004 through 2008 and is owned by MNC.
Carnaval.com and SFmission.com publisher is CM Collins who has been an MNC Board Member and Carnaval Committee member since 1994. He is also past President and current treasurer of the Mission Merchants Association and a Mission Mason.

 

"an internationally recognized event that showcases the joy of Bay Area diversity with a vision of global unity through music and dance, Carnaval is a credit to the community that brought it to life.....

As the event celebrates 20 years, the neighborhood folk who spawned it are in flux as the gentrification housing policies of Mayor Willie Brown is squeezing out its traditionally immigrant community base..

But the sun always shines in the Mission and Carnaval is a chance to forget worries and adversities for a day of flamboyant all-out abandon. While the parade has achieved world class status, it's the music that has served as its beacon."

ˇViva Carnaval! - Carnaval de San Francisco; historia - TT: Long live the Carnival! - TA: San Francisco Carnival; history
Latin Beat Magazine, June-July, 1999 by Jesse Varela

Sharing the Joy

A behind-the-scenes look at Carnaval San Francisco

"Carnaval! It's not all bacchanal and masquerade, it is also inspiration: From the rituals of Bahia and Rio, the gods of music are invoked, summoned to appear at Carnaval in San Francisco. And it is in this spirit and the spirit of the Carnaval tradition that some of the samba groups participate"

Copyright ©1997 by Dawn A. Tyler
more at brazzil.com
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