Are
you ready for Caribbean Carnival?
On A Mission to Unite the World through the ministry of Rhythm and the
life-giving force of community celebration,
Caribbean Festival Arts: Each and Every Bit
of Difference (at amazon)
The authors, as they trace the roots and influences of the
mas , also consider the present-day parades of London,
Toronto and Brooklyn, now twice removed, they assert, from
their African beginnings
PLACES & DATES
--Anguilla
(first week in August)
--Antigua and Barbuda (first week in August)
--Aruba (pre-Lenten
)
--Barbados (first Monday in August)
--Belize
--Bonaire (pre-Lenten
)
--Cuba
-Havana (end of July)
-Santiago de Cuba (end of July)
-Varadero (end of July)
--Curaçao (pre-Lenten
)
--Dominica (pre-Lenten)
--Dominican Republic (late February)
--Grenada (early August)
--Guadeloupe (pre-Lenten
)
--Guyana
--Haiti (pre-Lenten
)
--Jamaica, (late March, early April)
--Martinique
pre-Lenten )
--Puerto Rico (pre-Lenten
)
--Saba (early August)
--Saint-Barthélemy (pre-Lenten
)
--Saint Croix (Three Kings Day)
--Saint John (July 4)
--Saint Lucia (July)
--Saint Kitts and Nevis (roughly New Year's Day)
--Saint-Martin (pre-Lenten
)
--Saint Thomas (last Friday and Saturday in April)
--Saint Vincent and the Grenadines (July, August)
--Sint Eustatius (early August)
--Sint Maarten (roughly a month after Easter)
--Trinidad and Tobago (pre-Lenten
between New Years & Ash Wednesday)
African influences on carnival traditions
Important to Caribbean festival arts are the ancient African
traditions of parading and moving in circles through
villages in costumes and masks. Circling villages was
believed to bring good
fortune, to heal problems, and chill out angry relatives who
had died and passed into the next world. Carnival traditions
also borrow from the African tradition of putting together
natural objects (bones, grasses, beads, shells, fabric) to
create a piece of sculpture, a mask, or costume — with each
object or combination of objects representing a certain idea
or spiritual
“One race / From the same place / That make the same trip /
On the same ship.” Caribbean Man -Black
Stalin
Kid's drum
sessions teach the following:
Group cohesion & Harmony
The power of Listening
Team-building and Synergy
Individual and Group Achievement
force.
Feathers were frequently used by Africans in their
motherland on masks and headdresses as a symbol of our
ability as humans to rise above problems, pains,
heartbreaks, illness — to travel to another world to be
reborn and to grow spiritually. Today, we see feathers used
in many, many forms in creating carnival costumes.
African dance and music traditions transformed the early
carnival celebrations in the Americas, as African drum
rhythms, large puppets, stick fighters, and stilt dancers
began to make their appearances in the carnival festivities.
In many parts of the world, where Catholic Europeans set up
colonies and entered into the slave trade, carnival took
root. Brazil, once a Portuguese colony, is famous for its
carnival, as is Mardi Gras in Louisiana (where
African-Americans mixed with French settlers and Native
Americans). Carnival celebrations are now found throughout
the Caribbean in Barbados, Jamaica, Grenada, Dominica,
Haiti, Cuba, St. Thomas, St. Marten; in Central and South
America in Belize, Panama, Brazil; and in large cities in
Canada and the U.S. where Caribbean people have settled,
including Brooklyn, Miami, and Toronto. Even San Francisco
has a carnival! [
more at
allahwe.org ]
David Rudder: Lyrics man
“Lyrics to make a politician
cringe / Or turn a woman’s body into jelly”
Now's the time/In this blessed life/When our bodies
show/How we feel inside/You will know It will roar inside
you/It comes to you/Like a raging tide
"Music is liberation/ Come make a joyful sound/ This life
is a celebration... Comes the time, and the street is now a
sacred place...Early morning calls for early wine. This
communion makes you feel so fine.."
"Will you remember me when you wake up Ash Wednesday
morning? You know, Ash Wednesday is always a different
story." Rudder sings in "J'ouvert"
"The
Hammer was a victory song. Just like the Bahia Girl . . .
Bahia Girl was saying -- it had a higher murder here -- a
higher murderous act was being perpetrated here in the sense
that people were taken from their homeland, brought here,
separate -- which was like some sent to South America, some
sent to the States, some sent all through the Caribbean,
some sent all over the place -- and the whole -- not only a
physical shooting down but a cultural, spiritual: the soul
and all was shot down -- was supposed to be shot down. And
what this girl coming back and saying, is that 'they lie, we
didn't lose nothing, we still have it, the vibrations still
here, because the same thing I seeing here I seeing in
Brazil' . . .
The drum that was taken away revealed itself...The drum just
take on a different face and the drum come back."
---David Rudder
In Ramabai Espinet, "From
the Belly of the Bamboo: Interview with David Rudder, Part
1," Trinidad and Tobago Review, Christmas 1987, 12.
Brooklyn J'Ouvert: The most important part
of this parade, for insiders, is now the J'Ouvert, which occurs
on Labor Day in the hours before dawn, ending at daylight before
the Parade officially starts. As Earl King, one of the first
J'Ouvert organizers explains, the J'Ouvert began in the late
1980's in order to put pan in the spotlight as the "engine room"
of Carnival:
You see, pan got lost on the parkway when the big sound systems
and deejays took over. So we were determined to do something to
preserve pan, to let our children know where Carnival really
comes from. So in J'Ouvert its just pan and mas bands, no
deejays invited. Now people are remembering the joy you can get
by taking your time and playing mas with a steelband, just
inching up the road, pushing pan.
The
Washington D.C. Institute for Caribbean Studies has been an
early supporting organization among over 40 groups who have
been campaigning for this Caribbean recognition since 1999.
The group is best known for its Annual Caribbean American
Heritage Awards and June Caribbean Film Festival.
Of course the month of June
harbors Juneteenth, also known as Freedom Day or
Emancipation Day, which is an annual holiday, celebrated on
June 19 in the United States commemorating the end of
slavery
Let's all celebrate and have a
good time
Celebration
We gonna celebrate and have a good time
It's time to come together
It's up to you, what's your pleasure
Everyone around the world
Come on!
Kool & The Gang
Got Move to the
Groove to catch all the vibes
Parties start to build up to the big
day as mas bands launch their presentations and music written
for the season is heard on the air
beauty and excitement
a reverence for improvisation, spontaneous creativity
You know,
Ramajay!- get carried away in the
spirit of free expression
Engine Room
It could go on forever
See dem jump and prance
Give deyself a chance in de heat
Engine Room
It could never die, never
. . .We're gonna let them know
They could never stop the drum . . .
When the iron fall
It humble the band
. . . Engine room
Is down whey does cause the bacchanal
The pan is de body
But the rhythm is heart ah the thing
. . . Engine room
That is the soul of Carnival . . .
--David Rudder, Engine Room
The
victory song of Carnival: Let the rhythm take you to a
different world; a different tomorrow
Like Chutney musicians, Rudder
sees the relationship of rhythm to history and ideology as
immediate and central to his music. He says in an interview with
Ramabai Espinet:
Trinidad's period [of slavery] was short, so you find that our
interpretation of pain is different. This is why I feel Reggae
have to be a Jamaican experience, because the music down in the
ground and it painful. A Jamaican will say 'This life hard, you
know man;' and a Trinidadian go say 'This life real hard, yeah
boy.' Is the same thing we saying, except that we laugh. We
laugh at the pain and this is how Calypso is like 'Pardner, what
we go do, take a drink and leh we go up the road.' And is like
-- this is why the drum -- the laughter of the melody. Our music
laughs -- a cutting kind of laugh.[9]
In Ramabai Espinet, "From the Belly of the Bamboo: Interview
with David Rudder, Part 2," Trinidad and Tobago Review,
Carnival February, 1988, 12.
Connecting the Americas to Africa through the Caribbean
San
Francisco - Oakland- SJ
In the USA Memorial Weekend
as defined by the 4th Monday in May marks the beginning of
summer. There are 4 North American Caribbean Carnivals this
weekend including the greatest multicultural Carnaval ever
celebrated in San Francisco
Carnaval.com, since 1996 has been the
internet's
best web source to these affirmations of joyous living in the
present. While we make all Carnivals our business, we make a special place
for 9 cities including Toronto and its Carnival countdown season
of June & July. Here, check out the history of Caribana in
images dating from 1996.
The music of the Caribbean — from calypso to reggae, soca to
dancehall — has had an impact on the rest of the world all out
of proportion to the size of the region,
Caribbean Music Styles
Cadence_music A cadence (Latin
cadentia, "a falling") is a
particular series of intervals or
chords that ends a
phrase, section, or piece of
music. Cadences are called "weak" or
"strong", with the perfect authentic
cadence being the strongest type.
Extempo / Sing Down The earliest form of what has become
Calypso. Performers must think quickly,
as subjects to sing about are handed out
on the spot.
Junkanoo A street
parade with music, which occurs in
many towns across the
Bahamas every
Boxing Day (December
26) and
New Year's Day. Junkanoo groups
"rush" from 12:00 AM until shortly after
dawn, to the music of cowbells, in
costumes made from cardboard covered
in tiny shreds of colourful crepe
paper competing for cash prizes.
Kaiso Originated in
West Africa, and later evolved into
Calypso. Kaiso songs are generally
narrative in form and often have a
cleverly concealed political subtext.
Kaiso performers are known as
Kaisonians.
Parang Fuses together Venezuelan and
Calypso influences to create up beat
tempos with a Spanish style. Parang is
usually associated with Christmas
Festivities.
Salsa incorporates multiple
styles and variations; the term can be
used to describe most any form of
popular
Cuban-derived genre, such as
chachachá and
mambo. Most specifically, however,
salsa refers to a particular
style developed by the 1960s and '70s
Cuban and
Puerto Rican immigrants to the New
York City area, and stylistic
descendants like
1980s
salsa romantica.
The bands consist of drums,
fifes, and whistles: traditional
instruments for a British marching
band. The music is based, in fact, on
British marching tunes with African
polyrhythms working through and spicing
the otherwise sedate European music.
Zouk
A style of rhythmic
music originating from the
Caribbean islands of
Guadeloupe and
Martinique. Zouk means
'party' in the local
creole of French with English and
African influences, all three of which
contribute the sound.
It's the rhythm
Caribbean music, like all Black music in the Americas,
displays a reverence for improvisation. This can be
understood partly as a type of musical historicizing, since
the music appears in a certain spatial and temporal moment
that, like the music itself, cannot be replicated. With
improvisation, other basic tenets of Caribbean music,
include call-and-response (antiphony), energetic percussion,
cross-cultural rhythms and asymmetrical harmonies, all of
which lead to considerations on rhythm, for it is rhythm
that holds a place of privilege in Caribbean music and
culture.
Joy A. I. Mahabir
The Museum of the African
Diaspora or MOAD connects all
people through the Art and culture of the African
Diaspora. Indeed the museum greets you with its now
well established claim to being the Mother Of All
Diasporas since this is the home of Eve
Exhibitions reflect and tell stories
of Black lives that have colored the evolution of
many New World cultures. With its global focus, MoAD
is positioned to serve as a major voice in the
conversation about artists of the African Diaspora.
the "Windward Islands" (Bovenwindse
Eilanden) east of
Puerto Rico and the
Virgin Islands. These are part
of what are in English called the
Leeward Islands, but in e.g.
French,
Spanish,
German,
Dutch and the English spoken
locally these are considered part of
the Windward Islands.
There are
also commonly referred to geographic groupings
the
Antilles, which together with the
Bahamas form the
West Indies. West Indies consist of the
Antilles, divided into the larger
Greater Antilles which bound the sea on the north and
the
Lesser Antilles on the east, and the
Bahamas which are northeast of the sea.
Bermuda lies much further to the north in the
Atlantic Ocean and is sometimes included in the West
Indies. Geopolitically, the West Indies are organized into
28 territories
Lesser Antilles
are made up of the -Leeward Islands[wiki],
the southern islands of
Windward Islands,
[wiki] Virgin Islands).
The analogous "West Indies" originates from
Christopher
Columbus' idea that he had landed in the Indies (then
meaning all of south and east Asia) when he had actually
reached the Americas.