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| June - December 2007
Carnaval Season |
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June 2007 |
Berlin (Germany) |
N/A |
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June 9-17, 2007 |
Calgary Carifest |
CarifestCalgary.ca |
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June 9-10, 2007 |
Tampa Bay |
TampaCarnival.com |
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June 10, 2007 |
Hartford |
N/A |
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June 16, 2007 |
Philadelphia |
PhillyCarnival.com |
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June 23-24, 2007 |
Washington D.C. |
N/A |
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July, 2007 |
Turks & Caicos |
N/A |
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July, 2007 |
Puerto Rico |
N/A |
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July 2-3, 2007 |
St. Vincent |
CarnivalSVG.com |
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July 7, 2007 |
Syracuse |
N/A |
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July 14-15, 2007 |
Virginia CaribFest |
VirginiaCaribfest.com |
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July 2007 |
St. Lucia |
StLuciaCarnival.com |
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July , 2007 |
St. John (VI) |
VInow.com |
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July 1, 2007 |
Houston (Caribfest) |
HoustonCaribfest.com |
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July 7, 2007 |
Montreal (Carifiesta)
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Carifiesta.ca |
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July, 2007 |
Vancouver |
N/A |
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July 20-22, 2007
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Baltimore |
BaltimoreCarnival.com |
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July 22, 2007
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Jersey City |
N/A |
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Aug 4, 2007
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Toronto
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N/A |
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Aug, 2007
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Nevis (Culturama)
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NevisCulturama.net |
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Aug, 2007
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Anguilla
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N/A |
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Aug, 2007
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Manitoba
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N/A |
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Aug, 2007
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Tortola (VI)
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N/A |
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Aug, 2007
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Winipeg (Caripeg)
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N/A |
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Aug 5-6, 2007
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Barbados
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N/A |
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Aug 5-6, 2007
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Antigua
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AntiguaCarnival.com |
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Aug 10-12, 2007
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Hamilton
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HamiltonCarnival.com |
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Aug 10-12, 2007
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Edmonton (Cariwest)
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N/A |
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Aug 10-12, 2007
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Detroit
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N/A |
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Aug 13-14, 2007
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Grenada
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SpiceMasGrenada.com |
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Aug 17-19, 2007
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Chicago (Carifete)
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ChicagoCarifete.com |
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Aug 18, 2007 |
Ottawa (Caribe-Expo) |
Caribe-Expo.com |
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Aug 25, 2007
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Boston
|
BostonCarnivalZone.com |
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Aug 25-26, 2007
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Notting Hill (U.K.)
|
NottinghillCarnival.org.uk |
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Sept 3, 2007 |
New York |
NewYorkcarnival.com |
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Sept, 2007
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Las Vegas
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N/A |
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Sept, 2007
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Belize
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N/A |
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Sept, 2007
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San Diego
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N/A |
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Sept 7-9, 2007
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Baltimore
|
BaltimoreCarnival.com |
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Sept, 2007 |
Long Island |
LIcarnival.com |
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Oct, 2007 |
Costa Rica |
N/A |
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Oct, 2007 |
Key West |
N/A |
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Oct , 2007 |
Bahamas |
N/A |
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Oct 5-13, 2007 |
Jacksonville |
JacksonvilleCarnival.com |
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Oct 6-7, 2007 |
Miami |
MiamiCarnival.net |
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Oct 12-14, 2007 |
Los Angelos (Caricabela) |
LosAngelesCarnival.com |
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Oct 20, 2007 |
Sydney (Australia) |
SydneyBacchanal.com |
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Nov 8-19, 2007 |
Cayman Pirates Week |
PiratesWeekFestival.com |
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Dec, 2007
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St. Kitts
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StKittsCarnival.com |
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Dec, 2006
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Monserratt
|
MonsterratFestival.com |
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Dec 24-Jan 2
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St.Croix (VI)
|
GotoStCroix.com/
Carnival.htm |
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African influences on carnival traditions

Important to Caribbean festival arts are the ancient African
traditions of parading and moving in circles through
villages in costumes and masks. Circling villages was
believed to bring good
fortune, to heal problems, and chill out angry relatives who
had died and passed into the next world. Carnival traditions
also borrow from the African tradition of putting together
natural objects (bones, grasses, beads, shells, fabric) to
create a piece of sculpture, a mask, or costume — with each
object or combination of objects representing a certain idea
or spiritual
 |
“One race / From the same place / That make the same trip /
On the same ship.”
Caribbean Man -Black
Stalin |
All of our kid's drum
sessions teach the following:
- Group cohesion & Harmony
- The power of Listening
- Team-building and Synergy
- Individual and Group Achievement
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force.
Feathers were frequently used by Africans in their
motherland on masks and headdresses as a symbol of our
ability as humans to rise above problems, pains,
heartbreaks, illness — to travel to another world to be
reborn and to grow spiritually. Today, we see feathers used
in many, many forms in creating carnival costumes.
African dance and music traditions transformed the early
carnival celebrations in the Americas, as African drum
rhythms, large puppets, stick fighters, and stilt dancers
began to make their appearances in the carnival festivities.
In many parts of the world, where Catholic Europeans set up
colonies and entered into the slave trade, carnival took
root. Brazil, once a Portuguese colony, is famous for its
carnival, as is Mardi Gras in Louisiana (where
African-Americans mixed with French settlers and Native
Americans). Carnival celebrations are now found throughout
the Caribbean in Barbados, Jamaica, Grenada, Dominica,
Haiti, Cuba, St. Thomas, St. Marten; in Central and South
America in Belize, Panama, Brazil; and in large cities in
Canada and the U.S. where Caribbean people have settled,
including Brooklyn, Miami, and Toronto. Even San Francisco
has a carnival! [
more at
allahwe.org ] |
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David Rudder: Lyrics man |
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| “Lyrics to make a politician
cringe / Or turn a woman’s body into jelly” |
Now's the time/In this blessed life/When our bodies
show/How we feel inside/You will know It will roar inside
you/It comes to you/Like a raging tide
"Music is liberation/ Come make a joyful sound/ This life
is a celebration... Comes the time, and the street is now a
sacred place...Early morning calls for early wine. This
communion makes you feel so fine.."
"Will you remember me when you wake up Ash Wednesday
morning? You know, Ash Wednesday is always a different
story." Rudder sings in "J'ouvert"
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High Mas I © David Michael Rudder

Our Father who has given us this art
So that we can all feel a part
Of this earthly (lesser) heaven....amen
Forgive us this day our daily weaknesses
As we seek to cast our mortal burdens on this city...amen
Oh merciful Father, in this bacchanal season
Where some men will lose their reason
But most of us just want to wine and have a good time |
Brooklyn J'Ouvert: 
The most important part
of this parade, for insiders, is now the J'Ouvert, which occurs
on Labor Day in the hours before dawn, ending at daylight before
the Parade officially starts. As Earl King, one of the first
J'Ouvert organizers explains, the J'Ouvert began in the late
1980's in order to put pan in the spotlight as the "engine room"
of Carnival:
You see, pan got lost on the parkway when the big sound systems
and deejays took over. So we were determined to do something to
preserve pan, to let our children know where Carnival really
comes from. So in J'Ouvert its just pan and mas bands, no
deejays invited. Now people are remembering the joy you can get
by taking your time and playing mas with a steelband, just
inching up the road, pushing pan.
http://www.carnaval.com/newyork/david_rudder.htm
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Let's all celebrate and have a
good time
Celebration
We gonna celebrate and have a good time
It's time to come together
It's up to you, what's your pleasure
Everyone around the world
Come on!
Kool & The Gang |
Got Move to the
Groove to catch all the vibes
Parties start to build up to the big
day as mas bands launch their presentations and music written
for the season is heard on the air |
- beauty and excitement
- a reverence for improvisation, spontaneous creativity
You know,
Ramajay!- get carried away in the
spirit of free expression |
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It could go on forever
See dem jump and prance
Give deyself a chance in de heat
Engine Room
It could never die, never
. . .We're gonna let them know
They could never stop the drum . . .
When the iron fall
It humble the band
. . . Engine room
Is down whey does cause the bacchanal
The pan is de body
But the rhythm is heart ah the thing
. . . Engine room
That is the soul of Carnival . . .
--David Rudder, Engine Room |
The
victory song of Carnival: Let the rhythm take you to a
different world; a different tomorrow
Joy A. I. Mahabir
SUNY at StonyBrook, New York
more
on David Rudder & rhythm by Joy A.I.M. |
Like Chutney musicians, Rudder
sees the relationship of rhythm to history and ideology as
immediate and central to his music. He says in an interview with
Ramabai Espinet:
Trinidad's period [of slavery] was short, so you find that our
interpretation of pain is different. This is why I feel Reggae
have to be a Jamaican experience, because the music down in the
ground and it painful. A Jamaican will say 'This life hard, you
know man;' and a Trinidadian go say 'This life real hard, yeah
boy.' Is the same thing we saying, except that we laugh. We
laugh at the pain and this is how Calypso is like 'Pardner, what
we go do, take a drink and leh we go up the road.' And is like
-- this is why the drum -- the laughter of the melody. Our music
laughs -- a cutting kind of laugh.[9]
In Ramabai Espinet, "From the Belly of the Bamboo: Interview
with David Rudder, Part 2," Trinidad and Tobago Review,
Carnival February, 1988, 12. |
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