Are you ready for Caribbean Carnival?
On A Mission to Unite the World through the ministry of Rhythm and the life-giving force of community celebration,

Rise Up! for Celebration is the Answer

THIS PAGE
Places & Dates
African Influences
David Rudder
Brooklyn
African-American
 Migration
Caribbean Music
Alexander Hamilton
Music Styles

Caribbean Carnivals

June: Caribbean Heritage Month
Representative Barbara Lee
 
Caribbean Festival Arts: Each and Every Bit of Difference (at amazon)
The authors, as they trace the roots and influences of the mas , also consider the present-day parades of London, Toronto and Brooklyn, now twice removed, they assert, from their African beginnings
MVC-052F.jpg

PLACES & DATES
--Anguilla (first week in August)
--Antigua and Barbuda (first week in August)
--Aruba (pre-Lenten )
--Barbados (first Monday in August)
--Belize
--Bonaire (pre-Lenten )
--Cuba
-Havana (end of July)
-Santiago de Cuba (end of July)
-Varadero (end of July)
--Curaçao (pre-Lenten )
--Dominica (pre-Lenten)
--Dominican Republic (late February)
--Grenada (early August)
--Guadeloupe (pre-Lenten )
--Guyana
--Haiti (pre-Lenten )
--Jamaica, (late March, early April)
--Martinique pre-Lenten )
--Puerto Rico (pre-Lenten )
--Saba (early August)
--Saint-Barthélemy (pre-Lenten )
--Saint Croix (Three Kings Day)
--Saint John (July 4)
--Saint Lucia (July)
--Saint Kitts and Nevis (roughly New Year's Day)
--Saint-Martin (pre-Lenten )
--Saint Thomas (last Friday and Saturday in April)
--Saint Vincent and the Grenadines (July, August)
--Sint Eustatius (early August)
--Sint Maarten (roughly a month after Easter)
--Trinidad and Tobago (pre-Lenten between New Years & Ash Wednesday)
 
 
 

June - December 2007 Carnaval Season
June 2007 Berlin (Germany) N/A
June 9-17, 2007 Calgary Carifest CarifestCalgary.ca
June 9-10, 2007 Tampa Bay TampaCarnival.com
June 10, 2007 Hartford N/A
June 16, 2007 Philadelphia PhillyCarnival.com
June 23-24, 2007 Washington D.C. N/A
July, 2007 Turks & Caicos N/A
July, 2007 Puerto Rico N/A
July 2-3, 2007 St. Vincent CarnivalSVG.com
July 7, 2007 Syracuse N/A
July 14-15, 2007 Virginia CaribFest VirginiaCaribfest.com
July 2007 St. Lucia StLuciaCarnival.com
July , 2007 St. John (VI) VInow.com
July 1, 2007 Houston (Caribfest) HoustonCaribfest.com
July 7, 2007 Montreal (Carifiesta) Carifiesta.ca
July, 2007 Vancouver N/A
July 20-22, 2007

Baltimore

BaltimoreCarnival.com
July 22, 2007

Jersey City

N/A
Aug 4, 2007
Toronto
N/A
Aug, 2007
Nevis (Culturama)
NevisCulturama.net
Aug, 2007
Anguilla
N/A
Aug, 2007
Manitoba
N/A
Aug, 2007
Tortola (VI)
N/A
Aug, 2007
Winipeg (Caripeg)
N/A
Aug 5-6, 2007
Barbados
N/A
Aug 5-6, 2007
Antigua
AntiguaCarnival.com
Aug 10-12, 2007
Hamilton
HamiltonCarnival.com
Aug 10-12, 2007
Edmonton (Cariwest)
N/A
Aug 10-12, 2007
Detroit
N/A
Aug 13-14, 2007
Grenada
SpiceMasGrenada.com
Aug 17-19, 2007
Chicago (Carifete)
ChicagoCarifete.com
Aug 18, 2007 Ottawa (Caribe-Expo) Caribe-Expo.com
Aug 25, 2007
Boston
BostonCarnivalZone.com
Aug 25-26, 2007
Notting Hill (U.K.)
NottinghillCarnival.org.uk
Sept 3, 2007 New York NewYorkcarnival.com
Sept, 2007
Las Vegas
N/A
Sept, 2007
Belize
N/A
Sept, 2007
San Diego
N/A
Sept 7-9, 2007
Baltimore
BaltimoreCarnival.com
Sept, 2007 Long Island LIcarnival.com
Oct, 2007 Costa Rica N/A
Oct, 2007 Key West N/A
Oct , 2007 Bahamas N/A
Oct 5-13, 2007 Jacksonville JacksonvilleCarnival.com
Oct 6-7, 2007 Miami MiamiCarnival.net
Oct 12-14, 2007 Los Angelos (Caricabela) LosAngelesCarnival.com
Oct 20, 2007 Sydney (Australia) SydneyBacchanal.com
Nov 8-19, 2007 Cayman Pirates Week PiratesWeekFestival.com
Dec, 2007
St. Kitts
StKittsCarnival.com
Dec, 2006
Monserratt
MonsterratFestival.com
Dec 24-Jan 2
St.Croix (VI)
GotoStCroix.com/
Carnival.htm
African influences on carnival traditions
Important to Caribbean festival arts are the ancient African traditions of parading and moving in circles through villages in costumes and masks. Circling villages was believed to bring good fortune, to heal problems, and chill out angry relatives who had died and passed into the next world. Carnival traditions also borrow from the African tradition of putting together natural objects (bones, grasses, beads, shells, fabric) to create a piece of sculpture, a mask, or costume — with each object or combination of objects representing a certain idea or spiritual
trinicarn317.jpg
“One race / From the same place / That make the same trip / On the same ship.” 
Caribbean Man -Black Stalin
All of our kid's drum sessions teach the following:
  • Group cohesion & Harmony
  • The power of Listening
  • Team-building and Synergy
  • Individual and Group Achievement

 force.

Feathers were frequently used by Africans in their motherland on masks and headdresses as a symbol of our ability as humans to rise above problems, pains, heartbreaks, illness — to travel to another world to be reborn and to grow spiritually. Today, we see feathers used in many, many forms in creating carnival costumes.

African dance and music traditions transformed the early carnival celebrations in the Americas, as African drum rhythms, large puppets, stick fighters, and stilt dancers began to make their appearances in the carnival festivities.

In many parts of the world, where Catholic Europeans set up colonies and entered into the slave trade, carnival took root. Brazil, once a Portuguese colony, is famous for its carnival, as is Mardi Gras in Louisiana (where African-Americans mixed with French settlers and Native Americans). Carnival celebrations are now found throughout the Caribbean in Barbados, Jamaica, Grenada, Dominica, Haiti, Cuba, St. Thomas, St. Marten; in Central and South America in Belize, Panama, Brazil; and in large cities in Canada and the U.S. where Caribbean people have settled, including Brooklyn, Miami, and Toronto. Even San Francisco has a carnival! [ more at allahwe.org ]



 

David Rudder: Lyrics man
“Lyrics to make a politician cringe / Or turn a woman’s body into jelly”

Now's the time/In this blessed life/When our bodies show/How we feel inside/You will know It will roar inside you/It comes to you/Like a raging tide

 "Music is liberation/ Come make a joyful sound/ This life is a celebration... Comes the time, and the street is now a sacred place...Early morning calls for early wine. This communion makes you feel so fine.."

"Will you remember me when you wake up Ash Wednesday morning? You know, Ash Wednesday is always a different story." Rudder sings in "J'ouvert"

High Mas I © David Michael Rudder
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Our Father who has given us this art
So that we can all feel a part
Of this earthly (lesser) heaven....amen
Forgive us this day our daily weaknesses
As we seek to cast our mortal burdens on this city...amen
Oh merciful Father, in this bacchanal season
Where some men will lose their reason
But most of us just want to wine and have a good time

Brooklyn J'Ouvert:  
The most important part of this parade, for insiders, is now the J'Ouvert, which occurs on Labor Day in the hours before dawn, ending at daylight before the Parade officially starts. As Earl King, one of the first J'Ouvert organizers explains, the J'Ouvert began in the late 1980's in order to put pan in the spotlight as the "engine room" of Carnival:
You see, pan got lost on the parkway when the big sound systems and deejays took over. So we were determined to do something to preserve pan, to let our children know where Carnival really comes from. So in J'Ouvert its just pan and mas bands, no deejays invited. Now people are remembering the joy you can get by taking your time and playing mas with a steelband, just inching up the road, pushing pan.

http://www.carnaval.com/newyork/david_rudder.htm
 

Let's all celebrate and have a good time
Celebration
We gonna celebrate and have a good time

It's time to come together
It's up to you, what's your pleasure

Everyone around the world
Come on!

Kool & The Gang
Got Move to the Groove to catch all the vibes

Parties start to build up to the big day as mas bands launch their presentations and music written for the season is heard on the air

  • beauty and excitement
  • a reverence for improvisation, spontaneous creativity

You know, Ramajay!- get carried away in the spirit of free expression

 
MVC-067F.jpg
Engine Room
It could go on forever
See dem jump and prance
Give deyself a chance in de heat
Engine Room
It could never die, never
. . .We're gonna let them know
They could never stop the drum . . .

When the iron fall
It humble the band
. . . Engine room
Is down whey does cause the bacchanal
The pan is de body
But the rhythm is heart ah the thing
. . . Engine room
That is the soul of Carnival . . .

--David Rudder, Engine Room

The victory song of Carnival: Let the rhythm take you to a different world;  a different tomorrow

Joy A. I. Mahabir
SUNY at StonyBrook, New York

more on David Rudder & rhythm by Joy A.I.M.

Like Chutney musicians, Rudder sees the relationship of rhythm to history and ideology as immediate and central to his music. He says in an interview with Ramabai Espinet:
Trinidad's period [of slavery] was short, so you find that our interpretation of pain is different. This is why I feel Reggae have to be a Jamaican experience, because the music down in the ground and it painful. A Jamaican will say 'This life hard, you know man;' and a Trinidadian go say 'This life real hard, yeah boy.' Is the same thing we saying, except that we laugh. We laugh at the pain and this is how Calypso is like 'Pardner, what we go do, take a drink and leh we go up the road.' And is like -- this is why the drum -- the laughter of the melody. Our music laughs -- a cutting kind of laugh.[9]

In Ramabai Espinet, "From the Belly of the Bamboo: Interview with David Rudder, Part 2," Trinidad and Tobago Review, Carnival February, 1988, 12.
Connecting the Americas to Africa through the Caribbean
San Francisco - Oakland- SJ
MOAD connect all people through the Art and culture of the African Diaspora. Indeed the museum greets you with its now well established claim to being the Mother Of All Diasporas since this is the home of Eve
Architecture Exterior
Exhibitions reflect and tell stories of Black lives that have colored the evolution of many New World cultures. With its global focus, MoAD is positioned to serve as a major voice in the conversation about artists of the African Diaspora.

Institute for Caribbean Studies

Washington D.C.
The Washington D.C. Institute for Caribbean Studies has been an early supporting organization among over 40 groups who have been campaigning for this Caribbean recognition since 1999. The group is best known for its Annual Caribbean American Heritage Awards and June Caribbean Film Festival.

Of course the month of June harbors Juneteenth, also known as Freedom Day or Emancipation Day, which is an annual holiday, celebrated on June 19 in the United States commemorating the end of slavery

Until recently, the African-American migration experience  has not been counted as part of America's migratory tradition. African-American history starts in the 1500s with the first Africans coming from Mexico and the Caribbean to the Spanish territories of Florida, Texas, and other parts of the South. And as early as 1526, Africans rebelled and ran away in South Carolina. A steady stream of emigration from the Caribbean began in 1619 with the arrival of indentured workers in Jamestown, Virginia.

The Caribbean as well as Africa have had an extraordinary impact on American arts and culture. The ethnic and cultural diversity of the black population has never been greater, and richer. The Caribbean immigrant population is the largest segment of perhaps the most diverse population in the United States.  resulting from the dy. And it is all part of the .

 Stokely Carmichael (later Kwame Toure) the charismatic civil rights activist during the Black Power years who helped to change the course of

 American political history, was born in Trinidad, and the mother of the slain African-American revolutionary leader Malcolm X was from Grenada.  Colin Powell, first African-American Secretary of State; Harry Belafonte, internationally-acclaimed, singer, actor and activist; Marion Jones, Olympic gold medallist; Roberto Clemente, first Latino inducted into the baseball hall of fame; Sydney Poitier, first African-American to receive an Academy Award for Best Actor

Caribbean Music
In the 1920s Trinidadian calypso records were being exported abroad. From the 1930s through the 1950s a succession of social dances and dance music of Caribbean derivation became popular throughout the Euro-American world: eg, rhumba, conga, beguine, méringue, merengue mambo, cha-cha-cha. In 1956 and 1957 Euro-american pop music went through an 'Island music' craze (eg, Harry Belafonte). From the mid-1960s to the early 1970s a number of recordings employing Jamaican rhythmic grooves (ska, rock steady, reggae) became international pop music hits. There were also experimentations in 'Latin rock'. From the mid-1970s on Jamaican reggae and Hispanic Caribbean salsa have become established subgenres of international popular music and have spawned numerous imitations and adaptations by non-Caribbean musicians. Trinidadian calypso and steelband music have attracted numerous aficionados outside the Caribbean and the Caribbean diaspora, and steelbands in school music curricula have been gaining currency in North America and elsewhere.


The Hammer was a victory song. Just like the Bahia Girl . . . Bahia Girl was saying -- it had a higher murder here -- a higher murderous act was being perpetrated here in the sense that people were taken from their homeland, brought here, separate -- which was like some sent to South America, some sent to the States, some sent all through the Caribbean, some sent all over the place -- and the whole -- not only a physical shooting down but a cultural, spiritual: the soul and all was shot down -- was supposed to be shot down. And what this girl coming back and saying, is that 'they lie, we didn't lose nothing, we still have it, the vibrations still here, because the same thing I seeing here I seeing in Brazil' . . .
The drum that was taken away revealed itself...The drum just take on a different face and the drum come back.

In Ramabai Espinet, "From the Belly of the Bamboo: Interview with David Rudder, Part 1," Trinidad and Tobago Review, Christmas 1987, 12.

 

 

Alexander Hamilton

"The contempt we have been taught to entertain for the blacks makes us fancy many things that are founded neither in reason nor in experience."

Founding father and pivotal figure in the creation of the USA, Alexander Hamilton, was born in the Caribbean and his political opponents would sometimes call him mulatto although records record his mother as white. Raised in two slave-dominant Caribbean cultures - Nevis, a British Island, and St. Croix, under Danish rule  Hamilton was the most influential abolitionist in his day. This  prophet of a regulated capitalist revolution and the true forebear of modern America died dramatically at the age of 49 in a duel
Alexander Hamilton
Read more about this great Caribbean-American in the excellent new biography by

A Caribbean for the Americas:
Bob Marley
The lionized leader of a musical, spiritual, and political explosion that continues to reverberate as his legacy continues to grow as each new generation discovers the spiritual truths informing his stories and rhythms. The exporting of his spiritual values to the Americas,  Africa and the world  is an incredible story.

Bob Marley immigrated to the USA, joining his mother but returned home to Jamaica when it became apparent he was likely to be drafted to serve in Vietnam.

[wiki/Bob_Marley]

Caribbean Music
 
 
calypsoworld-org.jpg
Home Pan Jumbie

INTERVIEWS

3 Canal
Alison Hinds
Andy Armstrong
Bunji Garlin
Calypso Dreams
Calypso Rose
David Rudder
Krosfyah
Lady Saw
Leroy Clarke
Machel Montano
Peter Coppin
Peter Ram
Red Rat
Rupee 1 2
Russell Rickford
Staceyann Chin
Tanto Metro
Terry Arthur
Tony Tempo
 

 

 
 
The music of the Caribbean — from calypso to reggae, soca to dancehall — has had an impact on the rest of the world all out of proportion to the size of the region,
Caribbean Music Styles

 
It's the rhythm
Caribbean music, like all Black music in the Americas, displays a reverence for improvisation. This can be understood partly as a type of musical historicizing, since the music appears in a certain spatial and temporal moment that, like the music itself, cannot be replicated. With improvisation, other basic tenets of Caribbean music, include call-and-response (antiphony), energetic percussion, cross-cultural rhythms and asymmetrical harmonies, all of which lead to considerations on rhythm, for it is rhythm that holds a place of privilege in Caribbean music and culture.

Joy A. I. Mahabir

And one of the things that kept hitting us was this incredibly rich and powerful culture that is somewhat struggling for survival.

Four Island groupings:  

---the Hispanic Caribbean (Cuba, Dominican Republic, Puerto Rico);

---the French Caribbean (Haiti, Martinique, Guadeloupe, French Guiana);

---the Dutch Antilles present-day Netherlands Antilles and Aruba  (Aruba, Bonaire, Curaço, Saba, St Eustatius, St Maarten);

There are also commonly referred to geographic groupings the Antilles, which together with the Bahamas form the West Indies. West Indies consist of the Antilles, divided into the larger Greater Antilles which bound the sea on the north and the Lesser Antilles on the east, and the Bahamas which are northeast of the sea. Bermuda lies much further to the north in the Atlantic Ocean and is sometimes included in the West Indies. Geopolitically, the West Indies are organized into 28 territories Lesser Antilles are made up of the -Leeward Islands[wiki], the southern islands of  Windward Islands, [wiki] Virgin Islands).

The analogous "West Indies" originates from Christopher Columbus' idea that he had landed in the Indies (then meaning all of south and east Asia) when he had actually reached the Americas.

 
 
Main Page: carnaval.com

 

 
 
In the USA Memorial Weekend as defined by the 4th Monday in May marks the beginning of summer. There are 4 North American Caribbean Carnivals this weekend including the greatest multicultural Carnaval ever celebrated in San Francisco
Carnaval.com, since 1996 has been the internet's best web source to these affirmations of joyous living in the present. While we make all Carnivals our business,  we make a special place for 9 cities including Toronto and its Carnival countdown season of June & July. Here, check out the history of Caribana in images dating from 1996.

 

Everybody spread the word
We're gonna have a celebration
All across the world
In every nation
It's time for the good times
Forget about the bad times, oh yeah
One day to come together
To release the pressure
We need a holiday

You can turn this world around
And bring back all of those happy days
Put your troubles down
It's time to celebrate
Let love shine
And we will find
A way to come together
And make things better

We need a holiday

Holiday written by Curtis Hudson and Lisa Stevens and first made a hit by Madonna


"The Caribbean-American community is a true melting pot of languages, cultures, and people. ...Their story is inseparable from ours."  Representative Barbara Lee
  Author of Legislation Establishing JUNE as Caribbean Heritage Month
proclamation by President of the United States

  [caribbean/includes/top.htm]